Wednesday, October 29, 2014

Obama Administration Doubles Down on Counterproductive Racist Policy

Michael L.

Arutz Sheva Staff writes:
house The United States Monday blasted Israel for pledging to build 1,000 more Jewish homes in Jerusalem, saying any such move would be "incompatible" with peace efforts, according to AFP.

State Department spokeswoman Jen Psaki said Washington was "deeply concerned" by the reports and American embassy officials were having high-level talks with Israeli leaders to seek more information.

"We continue to make our position absolutely clear that we view settlement activity as illegitimate and unequivocally oppose unilateral steps that prejudge the future of Jerusalem," Psaki told reporters. 
So, essentially the Obama administration is telling the world that it is "illegitimate" (whatever that means, exactly) for Jews to build housing for themselves where Jews have lived for thousands of years and where we are the closest thing to an indigenous population in the entire region.

This is racism, pure and simple and it helps fuel the very Arab and Muslim antipathy toward Jews that has driven the conflict for millennia.

Is there any other people on the planet that the Obama administration feels that it has a right to tell them where they may, or may not, be allowed to live?  I do not think so.

Of course, I have been beating this drum for a very long time now and it is clear that the administration absolutely refuses to learn from previous mistakes and thus makes those same mistakes over and over and over again.  In this way the administration's insistence that Jews building housing for themselves in Judea is an obstacle to a negotiated conclusion of hostilities makes of it an obstacle to a negotiated conclusion of hostilities.

By demanding that Jews be allowed to live and therefore build over here, but not over there, it gives Abbas all that he needs to justify his never-ending intransigence.

At this point in the game, however, does anyone honestly believe that there is any life left in the Oslo process?

I do not think so and therefore believe that Israel needs to develop alternative and practical visions for the future and to act on those visions.  Since the Obama administration is blundering around the Middle East searching for a truffle, and since Mahmoud Abbas is a two-bit dictator, terrorist, and Holocaust denier who never had any intention of making peace to begin with, Israel must act in a unilateral fashion in which the only concern should be security and well-being of the citizens of the country.

Israel basically has two broad options.  It can maintain the status quo which, by the way, can actually go on and on and on well into the future.  The status quo can be maintained indefinitely because it has already outlasted pretty much everything else around it.  It has outlasted US president after US president.  It has outlasted Israeli Prime Minister after Israel Prime Minister. It has survived wars and intifadas and literally millions of hours of people arguing with one another how unsustainable the status quo is.

And, yet, there it is.

Of course, this is not my preferred option.  As I have consistently argued, Israel needs to declare its final borders and remove the IDF to behind those borders.  What those borders should be I leave entirely to the Israelis.  If they want to annex the entirety of Judea and Samaria along lines proposed by people such are Caroline Glick and Martin Sherman of the Jerusalem Post, that is dandy with me.  If, on the other hand, they wish to annex Area C or even unilaterally pull back to something that resembles the 1967 borders, that is fine with me as well.  My main concern, naturally, is Israeli security and if such a move was consistent with that security than I would have no cause for complaint.

Chickensh*t 101

Doodad

So who's the likeliest chckensh*t?


Monday, October 27, 2014

The Slow Incursion of anti-Israel Stupidity into Popular Culture... or Revisiting Anthony Bourdain in Jerusalem

Michael L.

{Originally published at the Elder of Ziyon and cross-posted at Jews Down Under.}

Kitchen ConfidentialI used to cook in some pretty good restaurants back east when I was a tad younger.

For awhile I wore a toque and reduced veal stock into glace de viande and did things like eviscerate soft-shelled crabs for evening service.

In my estimation, as a former professional cook, Anthony Bourdain is tops in the hierarchy of celebrity chefs.

This is true not because of his considerable cooking ability, but because of his cultural intelligence, otherwise I would not bother with the guy.

Kitchen Confidential: Adventures in the Culinary Underbelly - the book that allowed him to shelf his chef knives - is a memoir of a smart New York American cook who became a kick-ass sous chef and who sat up nights writing about the organized mayhem and hostile bullshit that is a busy restaurant in the city on a Saturday night.

{Speaking strictly for myself, I will never forget working a deep-fat fryer while two cooks in their twenties - as was I at the time - had a fist fight in the kitchen.  I just started hollering, "Stay the %&*# away from me!  Do not come anywhere close to here!!" as they slugged it out barely six feet from where I stood above gallons of glistening hot oil, before I simply scooted on out of there.}

Bourdain is a culinary Hunter S. Thompson and in his 2013 season two premier episode of Anthony Bourdain: Parts Unknown his producers and financiers dragged him kicking-and-screaming into Jerusalem.

He began his rather uncomfortable travels around Israel by telling us this:
By the end of this hour I will be seen by many as a terrorist sympathizer, a Zionist tool, a self-hating Jew, an apologist for American imperialism, an orientalist, socialist, fascist, CIA agent, and worse.
So here goes nothing.
The man is no dope.

Despite The Jerusalem Episode I remain a fan and the thing of it, of course, is that he is absolutely correct.  I wondered for years why it was that he did not go to Israel, and I sometimes indulged my darkest suspicions, but now he tells us.  He notes in his very first breath that there is no way to discuss the place without angering people and the very last thing that someone like Bourdain - or Alton Brown or Bobby Flay or, say, Paula Deen, or any person whose job title is celebrity chef - wants to do is piss-off large parts of the viewing population and thus diminish their own value in the market.

The much maligned Paula Deen, in particular, might have something to say about this matter.

We should also remember that Bourdain and his people were in Beirut in 2006 when they found themselves in a rather unpleasant situation stuck between Hezbollah and the IDF.  We basically have Bourdain on camera from the time looking out over the city from his hotel balcony watching rocket fire and saying something along the lines of, "Well, now what the hell are we going to do?"

In any case, the reviews of the Jerusalem episode were mixed.  Writing in the Jewish Journal in September, 2013, Rob Eshman tells us this:
If you like food and you like Israel, this past week's episode of Anthony Bourdain's Parts Unknown was a win-win. 
And I say that despite the criticism Bourdain has received from the people who profess to love Israel. To them, he presented a biased, pro-Palestinian screed disguised as a food show.
From my perspective it is not hard to see why people who care about Israel would put forth significant criticisms of the episode, although I cannot help but notice the tone of sarcasm in Eshman's emphasized use of the word "love" in regards Israel.

Bourdain's mother was Jewish and, thus, Bourdain acknowledges his own Jewishness.  However he says, "I've never been in a synagogue.  I don't believe in a higher power, but that does not make me any less Jewish."  I agree for the obvious reason that "Jewish" refers to both a people and a religion, just as the word "Israel" refers to both a people and a country.

Bourdain, however, seems uncomfortable in Jewish shoes.  I find my Jewish shoes to be exceedingly comfy-cozy - although one needs to learn how to run fast in them - but Tony does not.

While at the Western Wall he donned a kippa, allowed an orthodox Jew to apply tefillin, and seemed entirely antsy all the way through... although not nearly so uncomfortable as when he was offered a crown of thorns for his noggin in the Christian quarter!

That he simply could not do, and I certainly do not blame him for it.  I would not put them on either!

What got Bourdain in trouble with some in the Jewish community, naturally, was politics and it is not as if the very first words out of his mouth did not suggest that he knew precisely what was coming.

If he had stuck to simply discussing the mysteries of falafel and shakshouka everything would have been just dandy and he would have flown out of Ben Gurion with nothing but well wishes and a newly found appreciation for sabih.

Unfortunately, there was no way to do that because that is not what the show is about.  It is never just about the food for Bourdain.  It is always also about culture, more generally, and thus about politics and that is a big part of the reason that I watch his stuff.  The man is intelligent, witty, charming, engaging - and an exceedingly curious and critical former degenerate - but he is emphatically not well-educated on the Arab-Israel conflict any more than I am well-educated on any number of conflicts happening around the world.

He claims:
Since 1967 half a million settlers have moved here all in contravention of international law.
Ultimately Bourdain means well, but he is simply not knowledgeable enough about the subject to think on it outside of the so-called "Palestinian narrative" which is, today, the mainstream media narrative in the west.  This is why he eyes his Jewish host in the "West Bank" with something resembling suspicion and questions him about Jewish anti-Arab graffiti.

He is, essentially, in this segment, playing "catch the Jew."

The truth, of course, is that Tony Bourdain should probably not opinionate about international law in public.  I have far more credence to speak to his cooking ability than does he does to discuss international law... as my former semi-famous ex-attorney-in-law would presumably agree.

It just makes him look arrogant... and I say this as someone who likes the guy.

CAMERA, needless to say, was having none of it.  In a piece entitled, Anthony Bourdain's "Parts Unknown - Jerusalem" Serves up Palestinian PropagandaSteven Stotsky writes:
Asserting he is part-Jewish, Bourdian made sure to distance himself from his Jewish background and deny any attachment to Israel. He described himself as an "enemy" of religious devotion and claims to have never been in a synagogue. While Bourdain?s narrative initially avoided taking sides, his host in Jerusalem, Israeli-born expatriate, Yotam Ottolenghi, was less careful. Ottolenghi's recounting of Jerusalem?s status, "Basically, this city was divided into two until 1967 when there was the famous Six-Day War," misrepresents the city?s history. In fact, Jerusalem was only briefly divided after the Jordanians occupied the eastern neighborhoods in 1948, expelled the Jewish residents and expropriated their property. For most of the city's long history there was no division.


jerusalemLaurie and I bought Ottolenghi's book not long after our last visit to Israel.

{The basmati and wild rice with chickpeas, currants and herbs is outstanding, but if you attempt the fava bean kuku make sure to use fresh, rather than canned, favas.  It makes all the difference.  In fact, on reflection, canned favas are simply heinous and should always be avoided under any circumstances other than starvation... if then.}

What we did not know, however, upon making that purchase - of the book, not the favas - is that Ottolenghi, of Jewish-Italian descent, lost his younger brother, Yiftach, to friendly fire as a soldier in the IDF.

This may, perhaps, have something to do with Ottolenghi's apparent biases.  Or, perhaps, he did not receive a very good education concerning the history of Israel, but when he said that Jerusalem, the City of David, was divided until 1967, without any historical context whatsoever, I got angry many months later and half a world away.

The problem here, of course, is not chef Ottolenghi, nor chef Bourdain.

The problem might be us... which is, I suppose, a typically Jewish response.

Because we have been so outnumbered for so long disdain toward Jews, yet again, has incorporated itself into western culture to such an extent that even American liberal semi-Jews, like Bourdain, think that Jewish people moving into Judea is some sort-of awful crime against "the native Palestinian population."

Even American Jewish liberals think this.

In other words, what the Obama administration and the European Union and the United Nations and the larger western left is telling Jewish people, including people like Bourdain, is that we can live wherever we want with the exception of our traditional homeland because this is seen as an intrusion on "indigenous" rights.

Despite the fact that there are no more indigenous people to Judea than the Jews, John Kerry and Barack Obama want to tell us that we have no right to live on the land of our ancestors without the permission of the PLO.

What could possibly more discriminatory and "racist" and anti-liberal and just plain horrendous than that?

Within living memory of the Holocaust some schmuck living on Pennsylvania Avenue in Washington D.C. thinks that he has the right to tell me where I can live?

I am sorry, but it is unacceptable and we need to stand up for ourselves and the children and grandchildren of the Jewish people.

If we do not, one thing is certain, no one else will.

And however much I appreciate Bourdain as a television personality - however much he makes me want to visit every taco truck in Oakland - I cannot allow this nonsense to go without comment.

{And, therefore, for whatever it may be worth, I have not.}

See you next week.

Saturday, October 25, 2014

sophie44 Has Some Words

In the comments under an Elder of Ziyon piece concerning anti-Semitic anti-Zionist Gideon Levy of Ha'aretz, who in the wake of the recent terrorist murder of a baby girl in Jerusalem took the opportunity to tell his readers how "tolerant" the local Arabs are.

sophie44 writes:
Israelis take care of Palestinians in their hospitals - Palestinians use theirs for rocket storage and other terror activities. 
Israel has a large Arab population - Palestinians don't want a single Jew on their land while accusing Israeli Jews of being racists. 
Israelis would choose a two state solution if Palestinians would show themselves to be ready for peace - Palestinians would want a one state solution with not a single Jew in sight. Not Israelis, Jews. 
When an Israeli Jew kills an Arab, the Israelis condemn this murder - when a Palestinian Muslim kills a Jew, Palestinians go out on the streets to celebrate. Preferably shouting that Allah is the greatest. 
Israel bans extremist groups - Palestinians establish them praise them, and then vote for them. When it doesn't turn out so well for themselves, Palestinians do not ask themselves how it happened, instead they wonder why it has targeted them and not the Jews. 
Israel's Christian population has shown an increase - the number of Palestinian continues to drop because of the forced conversions and harassment by Palestinian Muslims. 
Corrupt people go to jail in Israel - Corrupt Palestinians are openly bragging about the money they stole and will continue to steal, while complaining that nobody really cares about them. 
And so the list goes on and on. Palestinians are in fact a very tolerant nation. Tolerant towards murder, theft, incitement, religious extremism, misogyny and Jew-hatred and much much more.
I could not say it better.

Thursday, October 23, 2014

The Death of the Metropolitan Opera

Michael L.

KlinghofferSomewhere in the bowels of Lincoln Center, in New York City, is a heinously scarred Jewish hunchback, eating a hot pastrami sandwich while pawing a greasy, dog-eared copy of The Diary of a Young Girl by Anne Frank and plotting revenge upon Peter Gelb.

Or, so one hopes, anyways.

Gelb is the general manager of the Met and, thus, the man ultimately responsible for spreading genocidal anti-Jewish hatred to the general public in the guise of high art.  I imagine that they did not actually put that in his job description, but there it is.

The Death of Klinghoffer is high art.

I wonder if the editors at Time Magazine would consider an opera sympathetic to the Ku Klux Klan, depicting the lynching of a black man in the nineteenth-century American south to be appropriate?  Can you imagine a black man dangling by his neck from a tree in an opera about 1870s Alabama in which white blondey-folk in their Sunday best sing beneath the tree in a manner designed to be sympathetic to the audience?

And staged in New York City, no less?

No?  Because that is basically what we have here.

Klinghoffer, by the way, did not simply die.  He was murdered by Arab racists for no other reason than that he happened to be Jewish.

This opera, from what I have read elsewhere, is a consideration of the virtues of murderous racism and an invitation to wonder just why the assassination of random, crippled old Jews on the high seas is not necessarily an unreasonable act.

I have not, it should be noted, seen the opera and therefore am relying on others who I respect such as former New Republic editor, Marty Peretz and CUNY professor of humanities, Phyllis Chesler. Harvard University Professor of Law, Alan Dershowitz, who I also hold considerable respect for, was at the opening on Monday night.

Dershowitz apparently had a run-in with the Lincoln Center cops.  In a piece for the Gatestone Institute entitled, Metropolitan Opera Stifles Free Exchange of Ideas about a Propaganda Opera, he writes:
On Monday night I went to the Metropolitan Opera. I went for two reasons: to see and hear John Adams' controversial opera, The Death of Klinghoffer; and to see and hear what those protesting the Met's judgment in presenting the opera had to say. Peter Gelb, the head of the Met Opera, had advised people to see it for themselves and then decide...

Lincoln Center made that difficult. After I bought my ticket, I decided to stand in the Plaza of Lincoln Center, across the street and in front of the protestors, so I could hear what they were saying and read what was on their signs. But Lincoln Center security refused to allow me to stand anywhere in the large plaza. They pushed me to the side and to the back, where I could barely make out the content of the protests. "Either go into the opera if you have a ticket or leave. No standing." When I asked why I couldn't remain in the large, open area between the protestors across the street and the opera house behind me, all I got were terse replies: "security," "Lincoln Center orders."

The end result was that the protestors were talking to and facing an empty plaza. It would be as if the Metropolitan Opera had agreed to produce The Death of Klinghoffer, but refused to allow anyone to sit in the orchestra, the boxes or the grand tier. "Family circle, upstairs, side views only."
Leaving aside the question of whether The Death of Klinghoffer is a love song to the Jewish people... or perhaps something else entirely, what Dershowitz is claiming is that while fans of The Death of Klinghoffer constantly rant about freedom of speech, the protesters against this dehumanization of the Jews were made almost entirely non-present.

The irony could hardly be more rich, given the fact that those of us who are deeply suspicious of this "opera" are simply expressing our own freedom of speech to oppose the spread of anti-Jewish racism in the form of alleged "high culture."

Dershowitz, who is a fan of opera - (I prefer baseball, Go Giants!) - did not like the show, but since he is a Jewish supporter of the Jewish people this is hardly surprising.

He writes:
Then there were the choruses. The two that open the opera are supposed to demonstrate the comparative suffering of the displaced Palestinians and the displaced Jews. The Palestinian chorus is beautifully composed musically, with some compelling words, sung rhythmically and sympathetically. The Jewish chorus is a mishmash of whining about money, sex, betrayal and assorted "Hasidism" protesting in front of movie theaters. It never mentions the six million Jews who were murdered in the Holocaust, though the chorus is supposed to be sung by its survivors. The goal of that narrative chorus is to compare the displacement of 700,000 Palestinians—some of which was caused by Arab leaders urging them to leave and return victoriously after the Arabs murdered the Jews of Israel—with the systematic genocide of six million Jews. It was a moral abomination.
A moral abomination.

If my favorite pro-Israel attorney is correct, what this means is that Mr. Gelb has produced a "moral abomination" that is hostile toward Jewish people because it places al-Nakba on moral par with the Holocaust.

Not everyone agrees with Alan, as I am sure that he will not be shocked to discover.  Writing in the New York Post, Gelb, himself, the son of the former managing editor of the New York Times, tells us:
On Monday night, while protesters demonstrated outside and a few voices inside attempted to disrupt the performance by shouting over the music (before being escorted out), conductor David Robertson coolly led the orchestra, chorus, dancers and singers through the two-act opera.

For those who came to listen and watch, it was a deeply moving experience that left no doubt which side the opera was on: the side of humanity.
The side of humanity.

I wonder what part of shooting a wheelchair-bound old man is the humanity part?

I should probably keep this piece brief because, again, I have not actually seen this thing.

This is what Peretz says:
Well, I am not buying tickets to the The Death of Klinghoffer for the next season. In 2003 I saw the Brooklyn Academy of Music production of the terrorist saga, which was so appallingly amoral that I forced myself through to the end as a sort of ethical discipline. Worse than amoral, it was tedious. Perhaps musical beauty cannot be made out of a tale of the cold-blooded killing of a crippled Jew. 
In The Death of Klinghoffer, this crippled Jew, this virtually helpless victim, somehow becomes a symbol of Jewish power. This opera by the composer John Adams and the librettist Alice Goodman does not recoil in horror from the crime it depicts. In this account of the terrorist incident on the Achille Lauro in 1985 the killers have apocalyptic poetry on their side and the victims have bourgeois worries on theirs. 
Perhaps I just do not have that kind of ethical discipline, because I will not watch this production in any form or under any circumstances short of a pistol to my head.  If Phyllis Chesler, Alan Dershowitz, and Marty Peretz tell me that the work is heinous and bigoted nonsense, I will tip my kippa to their judgment in this case.

And to those wealthy Jews who are helping to finance the Met... go to hell.

I know that more open-minded people than myself, such as, say, David Harris-Gershon, would probably love the damn thing.

But, speaking strictly for myself, there is no way that I am going to applaud a piece of media that begs us to wonder if killing Jews, merely because they are Jews, is perhaps not spiritually uplifting or, at least, given the politics, perfectly understandable.

This is what Chesler says:
Indeed, the obsession with Jews and money is reminiscent of Nazi propaganda. The terrorist Rambo sings: “But wherever poor men / Are gathered they can / Find Jews getting fat . . . America / Is one big Jew.” 
The terrorists tell us they are “men of ideals,” and that “this is an action for liberation.” Hah. In reality, they didn’t allow Marilyn Klinghoffer, who was exhausted and in pain from colon cancer, lie down. 
They forced the passengers to stand under the broiling Mediterranean sun for days and to hold live grenades. 
Leon Klinghoffer had suffered several strokes. He lacked full use of his hands, his legs were paralyzed, his speech slurred — and this is whom Molqui murders and throws overboard with his wheelchair.
I have to say, I suspect that at the end of the day Peter Gelb may not be going to a very cool place.